Poignant
Elegy with Ben Kingsley and Penelope Cruz in leading roles - fine performances by Dennis Hopper and Patrica Clarkson as well.
Some reviewers disliked the film calling it trite, as the erudite but emotionally impotent David Kepesh (Kingsley) with his life long committment to hedonism (particularly womanizing) leaves some unsympathic to his plight and the movie in general.
Masterfully portraying the cold hearted and ultimately frightened Kepesh (wanting to end the best relationship of his life before his girlfriend ends it first, or so he tells himself) the film shows a man of culture, wit and fine intellectual prowess lay bare his world as friends die and the shallow nest of his life is flayed open.
Not a happy feel good movie, and certainly not a movie for folks who like formula characters who are politically correct at every turn, but this poignant, poetic film with hauntingly beautiful music has much to offer discerning tastes.
Unflinchingly it...
Asks the best of its veteran actors
Character-fueled without skimping on story, Coixet and Meyer make it easy for us to understand the perspectives and motives of each lead without asking the viewer to like or sympathize with them. Interactions are believable within context, and dialogue is natural and interesting. Although the film is about a refined cultural critic, it never itself feels pretentious (Ben Kingsley's appropriately upturned nose notwithstanding).
Nor is the film judgmental. Once gravity is lent to what might seem a minor life crisis, the masterful pacing leaves little room to consider the defensibility of the choices made before us. Short scenes are interspersed with longer bits of dialogue, the end result being a well-proportioned mix that is constantly fluid. The shot selection keeps the film visually interesting, even in the more cerebral scenes of extended dialogue. Every once in a while, a visual metaphor seems unnecessary and contrived--as in when wilted leaves fall from a potted...
This serious, small movie ends up being a real pleasure for fans of intelligent movie-making
The first 30 minutes or so of Elegy were a bit uncomfortable...the idea and sight of Ben Kingsley's 60-ish character trying to seduce (well, "woo" as he jokingly tells his professor pal played by Dennis Hopper) a playing-24-year-old Penelope Cruz will do that. But that uncomfortableness slowly lessens as you see the maturity that Cruz's character possesses...and the immaturity displayed by Kingsley's David Kepesh. As Hopper's character pointedly tells Kepesh, "You need to grow old...and grow up." It's a spot-on piece of advice.
This serious, small movie ends up being a real pleasure for fans of intelligent movie-making. This one has it all: the pedigree of a Philip Roth novel; adapted for the screen by Nicholas Meyer; superbly directed by Isabel Coixet; and a first-rate cast of Kingsley, Cruz, Hopper, Patricia Clarkson, and Peter Sarsgaard. Moreover, there's the Easter Egg-like treat of a performance by Deborah Harry, almost unrecognizable out of her erstwhile Blondie...
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